Joey
I am so fortunate to introduce you all to Joey from KIPP: Central City. He is a new teacher. He teaches 6th grade reading. (I only wish I would have been as good of a teacher in my first year as he is in his.) During my last visit at Central City, Joey and I discussed the idea of planning thematic units. (The discussion began because I felt that I had pushed the teachers so hard to teach strategies that interest and relevancy had suffered. I didn't see kids excited about what they were learning because they were learning strategies - not very interesting to young adolescents.) A few weeks ago Joey contacted me about beginning the process together. I asked if we could do it on-line so more people could be involved in the process. He graciously agreed. Thanks, Joey!
School Background
The team at Central City has been given a lot of freedom to expand their horizons in the last quarter of the school year. The state test is over and their supportive and creative leader suggested that they "experiment with a lot of things."
Project Background
When Joey first contacted me about beginning this process, we discussed that he might do a unit with the Social Studies teacher. With that as a backdrop, I asked him to send me the following pieces of information.
- Talk to the social studies teacher and find out what they will be studying at some point in the future that will give us time to plan together electronically.
- Create a theme around the social studies topic i.e. civil rights era or holocaust could turn into a justice theme.
- Choose 4 GLEs (Grade Level Expectations) that you have not covered or that the students have not mastered, two for fiction, two for nonfiction.
- Split your students into three leveled groups. Let me know who is in the groups along with their levels.
Next Steps
I suggested that if he was to use Bud, not Buddy, he might look at a theme about family or loss. Here is the information still needed to begin planning:
- The theme, preferably written as an essential question. (Example: How do teenagers deal with loss?)
- The average reading levels of the literature circle groups that he will form. (Example: Group 1 - F&P level P, Group 2 - F&P level R, Group 3 - F&P level T, Group 4 - F&P level V)
When backward planning, it is important to think first about our goals. You'll notice that when I began assisting Joey I asked him what benchmarks he wanted to cover. In addition, you see that I am pushing Joey to think of an essential question as opposed to a topic. If we plan our units with an essential question that is relevant to our students we will most likely see more engagement and motivation. Therefore, when writing an essential question we have to ask ourselves: What really matters to our students?
Let's take the sample essential question into consideration. Is loss something your students are dealing with or have dealt with? If so, that might be an engaging essential question. The question should be the impetus for everything in the unit - assessments will be affected by the question, books will be chosen with this question in mind, and it should "set the purpose" for all of our reading.
If we are going to use the literature circle model, we will need to choose at least 2 books for each level that would help students answer the essential questions. Books might include: Maniac McGee, Alice in April, Abduction, Beyond the Mango Tree, etc.
Warning: I have seen some teachers who use essential questions but the questions are academic oriented. For example: How does asking questions help us become better readers? For most of our students, this questions is not going to sustain interest. However, if our students really want to learn about how teens deal with loss, they will be enthused to read to find out how characters in books deal with it.
But what about those "pesky" benchmarks? How will we get the students to ask questions or identify main ideas? As students try to discover how teens deal with loss, we want to give them strategies to assist them. Therefore, the benchmarks become the tools that help us learn what we want to know.
Up Next
Keep your eyes open as to what Joey decides about his essential question. Our next step will be to look at how students will demonstrate that they can track character development, identify main ideas and themes, and raise questions.
Hi Jimi and friends,
ReplyDeleteSorry for being late on my reply. I've read a few books in the past two weeks and decided to go with Elijah of Buxton by Christopher Paul Curtis. Bud, Not Buddy just didn't do it for me and probably wouldn't be very interesting for me as the centerpiece of a unit. What I liked about Elijah of Buxton is that it dealt with growing up, dealing with difficult situations, and it gives me an opportunity to share some African-American history with my students, which I feel they are sorely lacking.
I'm not sure where to go with this essential question thing, but here are my ideas. The first question sits best with me, but I don't know what the next step is, thus I am unsure if the first question lends itself to subsequents steps in this.
(1) What makes a people free?
(2) What was life like for freed slaves?
(3) How was the concept of "the Black family" in 1859 similar to and different than today's Black family? Why are there similarities and differences?
Literature circles: I wanted to try literature circles with one of my 4 periods, but if time is not on our side to plan such a thing, my heart is certainly contented with trying that out another time. We only have a class set of books, also.
P.S. School starts again on Monday, so my life will be dedicated to planning for until then. Yikes!
ReplyDeleteJoey,
ReplyDeleteI like your first essential question...What makes a people free? I think that you can go far with this.
Now I am going to push you a little further and have you connect/include your state's grade level expectations to your essential questions. You have listed 4 topics from your GLEs. They are related to theme, questioning, character development, and main ideas. In the end, you might have 5 essential questions.
Let me give you an example of what I mean by connecting the theme and expectations:
How do authors show how characters change? If this book is about freedom, how does the author show that the character will succeed or fail in his/her search for freedom?
Also, some of your essential questions might be completely skills related. For example: How do good readers use questions?
Does anyone else have any ideas for other essential question ideas?
Some people begin with the enduring understanding before heading into essential questions. If that is how you think, what are some things that Joey might want his students to understand deeply as a result of this unit? Remember those understandings should be big ideas. For example: Authors often reveal themes through character development.
Joey, I thought that you were going to do this unit in the midst of Lit Circles. It seems now that you are feeling like you might not have time to take that step. I completely understand. However, if it is going to be presented as a class novel we have a few things to think about.
First, how will it be presented? We know that it should not be done solely as a read-aloud. If so, you are stealing time away from student reading. Teachers also often present whole class novels through round robin or popcorn reading. Unfortunately, this has been shown to be a weak instructional model. In round robin or popcorn reading, students are asked to read in front of their peers without practicing which often results in public failure and they usually only get opportunity to read about one paragraph in a lesson. Neither of these are the results we are looking for.
The second question we have to ask is: How are we going to meet the various instructional levels of our class when we ask them all to read the same text?
I have some ideas but I would like for you and others to think this through for a bit.
Finally, when would you like to begin this unit? We need to know how quick we need to respond and help you get this planned.
Thanks again for sharing with us.